Dr. James Else | Northern School of Contemporary Dance
 

DR. JAMES ELSE

Head of Postgraduate Studies

PhD in Music (Composition), University of York
PGDip in Arts Learning and Teaching in Higher Education with Distinction, NSCD/University of Kent
Master of Music (Composition) with Merit, Kings College, University of London
Bachelor of Music (Honours) 1st Class, University of Glasgow

Additional qualifications

  • DipABRSM (Diploma of The Associated Board of the Royal Schools of Music) Piano Performance Piano with Distinction
  • FHEA (Fellow of the Higher Education Academy), AdvanceHE Fellow

Role and responsibilities:

James is responsible for the effective delivery and ongoing development of the postgraduate programmes at NSCD. As part of the management team, he works closely across all NSCD departments to help students and staff thrive in the NSCD environment. James oversees the timetabling provision, alongside chairing the Learning, Teaching & Quality Assurance Committee and the Academic & Estates Resources Committee.  He also teaches in the areas of film, music, creative and contextual work.

Who am I?

“I am someone that is drawn to all the possibilities of what ‘the arts’ can be – whether that is in traditional forms, or patterns, games and experiences. For me art offers me a unique lens for seeing the world, trying to make sense of its complexities, and discovering its beauty.

“I am someone that is always questioning, trying to unpick the paradoxes and intricacies that dominate the world around us by investigating the edges and classifications that we put on things, when are they helpful, and when they obscure other meanings. Above all, I aim to value everyone as individuals, enjoying the differences that make us unique.”

Educational Background and Expertise Supporting Curriculum Development

James has worked within higher education for 17 years, with 12 years of management experience in the roles of Contextual Studies Co-ordinator, Head of Creative and Contextual Studies and Head of Postgraduate Studies. In addition to his PhD, James has recently formalised his teaching experience with a fellowship of Advance HE and a Postgraduate diploma in Arts Learning and Teaching in Higher Education. James is currently chair of the Learning, Teaching & Quality Assurance Committee, the Joint Faculty Team, and the Academic Estates and Resources sub-committee at NSCD. James’ pedagogic approaches are based on a student-centred approach. James’s pedagogical practice is inextricably intertwined with the principles of equity, equality, diversity and inclusion, including developing, embedding and monitoring the integration of Equality, Equity, Diversity and Inclusion (EEDI) into academic operation. He feeds into the EEDI committee, including leading on recent work undertaken around decolonising the curriculum, and the creation of the current Action Strategy 2024-2030. He has also led on a number of EEDI initiatives, including instigating the opening up of learner support to all students regardless of medical diagnosis, and introducing the use of a ‘menu’ of assessment items within an inclusive assessment strategy. James has also overseen a number of areas of curriculum design including the validation of the MA Dance and Creative Enterprise, MA Interdisciplinary Dance Performance and the revalidation of the MA Contemporary Dance Performance programmes. James has played a key role in shaping the structure of the Higher Education provision at NSCD, including coordinating the move to a fixed 11-week term. James has fed externally into programme development and periodic programme review at the Bristol Old Vic Theatre School and programme validation processes at London Contemporary Dance School.

James is particularly interested in how arts practice sits within traditional higher education frameworks, including the juxtaposition of art and research as examined in his 2023 paper: The intersections of art and research. The Performing Arts: Practice, Education and Research Journal (PA:PER) Issue 02, DOI: 10.29877/PA_PER

James has served as a panel member for periodic programme review for the Bristol Old Vic Theatre School (Validated by UEA).

Supporting Students Pastoral Care

  • Attendance at Student Review Board.
  • Regular student tutorials to stay connected and in conversation with students about their progress and development.
  • Liaison with Assessment Officers in support of student achievement.
  • EEDI committee member.

Career History

James is a composer, filmmaker and lecturer. He studied music at the University of Glasgow and King’s College London, before completing a PhD in composition at the University of York with Nicola LeFanu.

James has been involved in contemporary dance since 2005, specialising in its relationships to other art practices both in creative and theoretical fields. Alongside his teaching at NSCD he works as a TV producer primarily for BBC broadcast, including the BAFTA Scotland winning programme The Great Climb and the Scottish Adventure Award-winning series The Adventure Show currently in its 18th series.

He is active as a freelance composer including recent performances by the BBC Philharmonic (as part of their Red Brick Sessions), Cuatro Puntos, Delta Saxophone Quartet, Ligeti String Quartet, Jeremy Huw Williams and Ian Pace.  James has had his music performed across the UK and Ireland, broadcast on BBC Radio 3, and he also regularly composes television music for BBC Scotland. For more information, visit: www.jameselse.co.uk

Continuous Professional Development

  • Leading Resilient Spaces – Tonic (2024)
  • The Prevent Duty (2024)
  • Safeguarding and duty of care – Female Genital Mutilation Awareness (2024)
  • Child Protection in Education (2024)
  • Safeguarding and duty of care – Health and Safety in Education: Colleges and Universities (2024)
  • Policies and procedures update training (2024)
  • Committee Awareness and Effectiveness Training (2024)
  • Disability Training – Totally Inclusive People (2023)
  • Neurodiversity Training (2023)
  • Theory of Change (2023)
  • Leading on Inclusive Teaching and Learning – Advance HE (2023)
  • First Aid Essentials (2023)
  • Supporting Students who Self-Harm (2023)
  • The Polyvagal System and Regulation (2023)
  • Disability Awareness Training (2022)
  • Equality and Diversity (2022)
  • Autism Awareness (2022)
  • Student Facing Policies (2022)
  • UK Data Protection: Education (2022)
  • Safer Recruitment in Education (2022)
  • Safeguarding Young People Colleges and Universities (2022)
  • Decolonising the Curriculum – Seeta Patel (2021)
  • Decolonising the Dancing Body – Ayo Walker (2021)
  • Unconscious Bias (2021)
  • Anti Bribery (2021)
  • Using MyConcern (2021)
  • Safeguarding Creative Processes – Stuart Waters (2020)
  • Timetable Implementation – Asimut (2020)

PERFORMANCE, RESEARCH ARTEFACTS AND PROFESSIONAL ACTIVITY

  • 2007-2023 Producer: The Adventure Show – BBC 2 Scotland (Scottish Adventure Awards Winner, 2014)
  • 2023 Forgotten Paths (Ukulele) – first performance: Samantha Muir https://open.spotify.com/album/7rLs1lNHq94w5CDkGVOag3
  • 2023 Living Work – Rethinking approaches to the management of teaching staff within a dance conservatoire. SocArXiv. https://doi.org/10.31235/osf.io/tykx3
  • 2023 Education as Emotional Experience, NSCD conference, Leeds. 12th Jan
  • 2022 The Road of Evening (Choir) – first performance: Micklegate Singers
  • 2022 Parting Voices (Ukulele) – first performance: Samantha Muir https://open.spotify.com/album/7yMYveTmCwjsy6ujyYlqUD
  • 2022 My River (Soprano and Piano) – first performance: Anna Snow & Kate Ledger. Part of the One Hundred Second Songs Project
  • 2022 Retratos I (Bass and Piano) – first performance: Stuart O’Hara and Ioanna Koullepou
  • 2020 A view from elsewhere (Violin) – first performance: Lisa Obert BBC Radio 3 Night Tracks https://open.spotify.com/album/01FOUSblRRQJcfqQhpERfG
  • 2019 Drenched (Tenor and Piano) – First performance: Christopher O’Gorman & Kate Ledger, 2019.
  • 2018 Climbing the Virtual Stepladder: Exploring the Reality of Virtual Worlds in Performance. Body, Space & Technology. 17 (1), pp. 34–50. https://www.bstjournal.com/articles/10.16995/bst.295/
  • 2016 falling, unseen (String Sextet) – First performance: Cuatro Puntos, 2016. BBC Phil (The Red Brick Sessions), 2017.
  • 2016 Art vs Research, Dance HE conference, NSCD, Leeds. 28th October
  • 2015 Peer Observation of Teaching, CDD conference, The Place, London. 9th April
  • 2014 Light Shadows (Saxophone Quartet) – First performance: Delta Saxophone Quartet
  • 2013 On the Wind (String Quartet) – First performance: Ligeti String Quartet
  • 2012 One Hour (Baritone & Piano) – First performance: Jeremy Huw Williams & Nigel Foster
  • 2012 Forgotten Notes (Flute & Horn) -First performance: Souza Winds
  • 2012 Time is Too Slow (Choir) – first performance: Micklegate Singers
  • 2011 A Stolen Moment (Piano) – First performance: Ian Pace, 2011. Stan O’Beirne, 2021 https://open.spotify.com/album/01FOUSblRRQJcfqQhpERfG
  • 2010 The Great Climb – BBC 2 Scotland/BBC HD (BAFTA Scotland Winner, 2011)
  • 2007 Elgar – Sonata for Organ No. 1 featuring James Lancelot, Commercial DVD and CD
  • 2007 To Hell and Back – BBC 2 Scotland (Finalist Celtic Film Festival, 2008)
  • 2003 New Ways to Mountains (Electronic) – BBC Radio 3